Download Ebook Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out (Routledge Classics), by Slavoj Zizek
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Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out (Routledge Classics), by Slavoj Zizek
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The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst’s couch.
Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ.
Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.
- Sales Rank: #993494 in eBooks
- Published on: 2012-08-21
- Released on: 2012-08-21
- Format: Kindle eBook
Review
Sociology, contemporary cultural theory, linguistics and film meet once again in a text where fluid erudition and the anecdotal remain a characteristic of this compelling writer.
–Film Waves
Kant called example the 'go-cart of judgment.' His description can now be viewed as pre-Zizekian. This freshly expanded version of Enjoy Your Symptom! updates Kant, turning example into a whirling, dizzying, linear-logic defying turbo-jet of judgment. Pay attention to the title's imperative; it is a serious, all-out assault on theory's current obsession with an 'ethics of otherness'.
–Joan Copjec, author of Read My Desire
About the Author
Slavoj Zizek is Research Fellow at the University of Ljubljana. He teaches and lectures frequently in the United States. Among his many books are Looking Awry and The Ticklish Subject.
Most helpful customer reviews
13 of 16 people found the following review helpful.
elevator music piped upwind
By Alvaro Lewis
Clarity of language and argument one finds, some feel, rarely in current theoretical writing or in psychoanalytic writing. Here Zizek has structured his book so that nearly every idea gets two chances to impress the reader. I would agree with one of the reviews on this site of another of Zizek's books, that the author writes more clearly and persuasively about politics than about culture. However, this book presents a pleasing mixture (as most of Zizek's books do) of the cultural, political, philosophical, and Lacanian munch.
Each chapter sets out to answer a question posed by the chapter heading (e.g., Why is Reality Always Multiple?). First Zizek approaches a solution or description of the problem as it appears in Hollywood films. These Zizek treats as texts or case studies. Whatever your opinion of the merits of psychoanalytic description for general use, the discussion of the films makes marvellously amusing reading. As demanding for this reader as the steep range of theoretical vocabulary employed is the ample library of films from which Zizek draws his examples. Many of which films I'd never seen. The second section of each chapter recasts the first approach through film in the language, theory and realm of analysis, theory and philosophy.
I cannot weigh in an estimation of the value of this book. Surely, it is not as profoundly useful or clear as Zizek's political and philosophical thriller, Ticklish Subject. Yet, the application of Zizek's critical arsenal to Hollywood without the baggage of Politics and History, makes room for exposition through, sad to say, a universal and more immediate medium.
4 of 33 people found the following review helpful.
the point?
By A Customer
"I cannot weigh in an estimation of the value of this book. Surely, it is not as profoundly useful or clear as Zizek's political and philosophical thriller, Ticklish Subject. Yet, the application of Zizek's critical arsenal to Hollywood without the baggage of Politics and History, makes room for exposition through, sad to say, a universal and more immediate medium." Here's a statement that completely misses not only the point but the importance of Zizek. Ofcourse, in an era of achedemics and 'intellectual'-types complacently spiteful to popular culture as the anti-shakespeare (christ?), this isn't surprising.
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