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The Yips: A Novel, by Nicola Barker
Download PDF The Yips: A Novel, by Nicola Barker
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The Man Booker Prize–nominated novel by one of the most original authors of our time
Storm clouds are gathering above the bar of the less-than-exclusive Thistle Hotel. Stuart Ransom, a jet-setting, supermodel-chasing pro golfer with an extravagant ego and a career nearing the end of a spectacular decline, is drinking his way through the night. Desperate for attention, he strikes up free-flowing conversations with anyone who will listen. But as he banters with Jen, the impish barmaid with a talent for telling tall tales rivaled only by Stuart’s own, the night takes an extraordinary turn. Among those caught up in the unfolding drama are a tattooist with a mad mother and a love of anything from the 1940s; a free-thinking Muslim sex therapist and his considerably more conservative wife; the mysterious Vicki, the sister of Stuart’s defiant yet curiously devoted manager; and a misguided female vicar of the Church of England and her husband, Gene, the Thistle’s hapless bartender. They are a highly entertaining and eccentric bunch, but there’s more to them than meets the eye. “There enter in questions of what it is to be consumed by love or lust, by shame, by the longing to be someone else or nobody” (The Guardian), and The Yips unites them in an absorbing, exhilarating tour de force.
- Sales Rank: #718774 in eBooks
- Published on: 2012-10-16
- Released on: 2012-10-16
- Format: Kindle eBook
Review
“[D]ementedly imaginative . . . stomach-turningly hilarious . . . What she has written is a state of the nation novel of the sort Dickens and Hogarth might have jointly conjured up had they ever visited Luton.” —Financial Times
“There are moments when Stuart Ransom has the vulgar bravura of John Self in Martin Amis's Money. And occasionally, the novel also reminds one of Hilary Mantel – a comparable master of dark comedy. But Barker is unique and it is for the pleasures of her style that one reads her.” –The Observer (London)
“She is scatological, mischievous, subversive and original. Barker’s transfiguration of the commonplace is radically unlike Muriel Spark’s, but no less dazzling.” —The Times (London)
“Barker captures—and lovingly distorts—both the rhythms and banality of language. She is, as it were, Harold Pinter on crack.” —The Spectator
About the Author
Nicola Barker’s eight previous novels include Darkmans (short-listed for the 2007 Man Booker and Ondaatje prizes, and winner of the Hawthornden Prize), Wide Open (winner of the 2000 International IMPAC Dublin Literary Award), and Clear (long-listed for the Man Booker Prize in 2004). She has also written two prize-winning collections of short stories, and her work has been translated into more than twenty languages. She lives in East London.
Most helpful customer reviews
11 of 14 people found the following review helpful.
The Harbinger of Chaos...in Luton!
By las cosas
There are many characters that weave their way through this very successful novel, but the novel starts and ends with what are arguably the central two characters: Ransom and Jen. Ranson is an over-the-hill professional golfer with a drinking, money, health and every other problem imaginable. Jen is maybe 19, living at home with her parents having spectacularly failed all of her A-levels despite a prodigious intelligence. Both are very, very mouthy, and in my opinion completely obnoxious. The book start with a verbal duel between the two that simply goes on and on. Well written, very witty, Jen puts down golf, Ranson puts down everything else on earth, back and forth ad nauseum with a third character, Gene, trying to moderate, smooth things over. And over 500 pages later the same dialog, same two characters, but with a novel in between of events that change the tenor of the conversation and their relationship. But I still couldn't stand either one of them, and despite this, I think this is a very powerful and successful novel.
Every character in this book struggles with the difference between the self they have carefully constructed to show the world, and their real self. I know, that is hardly an original concept, but this dichotomy viscerally presents itself over and over again in a wide spectrum of guises and a fairly remarkably wide spectrum of characters. People hide under tattoos, agoraphobia, burkas, clerical collars, insanity, alcohol and big aggressive mouths (Ransom and Jen again). These personality traits, or convictions, or diseases or whatever are very convincingly, almost seductively, described. Valentine has not left the house in almost a year and her mental health is not improved locked into the house with her deranged mother. She finally finds the freedom to venture out when someone lends her a burka. It is hot, confining and severely restricts her peripheral vision. But at the same time it is liberating. This is convincingly described.
Most of the characters in this book move too fast, talk too fast and are in some sense out of control. The protective layer each has constructed is falling down, and at first each character simply works harder to keep that protection in place. This makes for some frantic scenes, and it is incredible that Nicola Barker is able to keep all of these characters and their wacky verbal ticks progressing along for a masterful 550 pages. Here is a fairly random sample of conversation...
`Peer pressure plays an important role,' Toby steps in. `I mean you're more likely to be able to persuade people of something if they see that their peers have already been convinced.' `Think the Rwandan genocide,' Nimrod solemnly opines (trying to raise the conversational bar). `Think Diet Coke,' Ransom counters (automatically lowering it).'
Most books this size you can almost feel the author taking a deep breath, slowing down and allowing the characters, ideas and plot the time and space to find their own pace. Not this book. It has the energy of a novella, jamming as much verbal action as possible in each page for the entire, huge book. Surprisingly, this did not feel tiring, or contrived. Instead the constant inventions, verbal play and often volatile interactions between the characters continued to be engrossing and invigorating. `There was a rat in the bath,' Gene explains. `It's a long story, but basically I fished it out and was carrying it around by the tail, not quite sure how to dispose of it, when I managed to barge in on this woman having a genital tattoo." That scene, for example, with the rat and the tattoo, fits in perfectly well with the endless other frenetic scenes of equal improbability. But the scenes are so well written that they don't seem improbable. They just seem like, well, life in The Yips.
The novel has one character in opposition to the kinetic energy of the other characters: Gene. A cartoon character of someone God, or whatever, has sorely tested. Terminal cancer...seven times. Car crash killing many family member except a niece horribly disfigured. He works three jobs to pay the medical bills. He is the one character in the book who has every right to scream at the world and erect the world's largest protective shield. But he doesn't. He has learned very simple, profound truths from all the adversity: appreciate each day as it comes, and don't waste time on non-essentials. He is so mellow some of the characters assume he's a tad dim. Because if you don't make a big loud deal out of yourself, what are you? Gene is this soothing, gentle, nondescript guy happy to be alive. And yeah, basically happy. With all their screaming, yelling and carrying on, there aren't any other characters in this book that can really say that.
Near the end of the book Gene and his wife Shiela are having a conversation. She is confessing her thoughts about life, them. A very honest, real conversation, or semi-monolog. Interspersed with this is Gene sitting with an orange, an orange he starts peeling, and then eating, so that he has something do do with his hands as Shiela continues with her earnest talk.
"He finishes peeling the orange and stares at it, helplessly. He supposes that he is now obliged to eat the damn thing....Gene laboriously chews and swallows the orange segment as she speaks. The act of doing so seems like the most awful - the most crass and monstrous - offense against her dignity...Gene continues to stare at the orange. He imagines repeatedly stabbing at it with a fork...Gene reaches out his hand and starts carefully separating the orange segments, as if the orange alone represents something actual - something tangible...Sheila leans forward and picks up the orange peel, presses the pedal on the bin with a quick pump of her foot and tosses it away...`We should probably ...' Gene is going to say, `compost that,' but then - for reasons he can't quite entirely fathom - decides against it."
A big, flamboyant, hip novel that contains some very simple lessons for all of us. Great book, Ms. Barker, thanks!
4 of 5 people found the following review helpful.
Amazingly bizarre
By Ausms1
This book is bizarre in a great way. It was so unpredictable, I was laughing and shocked all at the same time. Being on the short-list for the Booker prize, it sparked my interest but I almost dismissed because of my low interest in golf or reading about sport in general.
The golf component is really background, the characters interact in the most unexpected ways - tattoos, burkas, pot, palm reading, sexual attractions, sex therapy, cancer, agoraphobia, money, revenge, pregnancy just to name a few. This was such an amazing read and you wont be disappointed provided you aren't expecting to read about golf.
2 of 3 people found the following review helpful.
pretty hard slog
By Alan A. Elsner
The blurbs on this book, which I bought in a bookstore in England, compared it to Chaucer, Shakespeare and Tolstoy no less! So I curled up with considerable anticipation. Unfortunately, I just could not get interested in the doings of this group of fairly unsympathetic characters in the provincial town of Luton. The main character, a dreadful failed golfer, was funny is a kind of Ricky Gervais way, mainly because he was so politically incorrect and uninhibitedly gross. But he soon grew tired.
As for the others, we meet a shy bar tender who has survived numerous bouts of cancer, his wife who is a fairly militant priest, a mixed-up young woman trying to look after her dreadful, demented mother and who converts to Islam, a barmaid who plays dumb but seems smart and various and sundry others -- all of whom seem to represent "types" in a kind of Chaucerian way. Their interactions are supposed to be tragicomic but most of the humor seemed to go right by me, Maybe I've been away from Britain for too long and have lost touch with the culture....
I noticed this took when I read Martin Amis' Lionel Asbo: State of England (Vintage International) which I did not much enjoy. He's talking about his vision of country that has abandoned its history and traditions in favor of a kind of faux pop-celebrity culture. That book is more savage than this one but there's a common strand.
Anyway, addressing this review specifically for American readers, I think you need to be quite absorbed in some of the political and cultural disputes and battles roiling Britain right now to make much sense of this. You also have to be prepared to wade through 500 pages plus.
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