Ebook Free Adobe Photoshop Elements 10: Maximum Performance: Unleash the hidden performance of Elements, by Mark Galer, Abhijit Chattaraj
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Adobe Photoshop Elements 10: Maximum Performance: Unleash the hidden performance of Elements, by Mark Galer, Abhijit Chattaraj
Ebook Free Adobe Photoshop Elements 10: Maximum Performance: Unleash the hidden performance of Elements, by Mark Galer, Abhijit Chattaraj
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Master the most powerful photo editing tools and techniques that Elements has to offer! Using step-by-step projects, Mark Galer will have you creating stunning images in no time at all. Whether you want to create impressive, seamless montages, optimize your photos for perfect print quality, or simply enhance your images for maximum impact, Maximum Performance will give you the skills and know-how you need to create professional quality results.
Featured projects teach you how to work with multilayered 16 bit/channel files, as well as convert to black and white using Adobe Camera Raw, create High Key images, work with image borders and textures, and create tilt-shift and cross-process effects.
Three movie tutorials featuring specific techniques from the book are available for free online, and a supplemental package of images and movies can be purchased with an easy one-time download from the authors' website, www.elements-maxperformance.com. Find everything you need to unleash the power of Elements with Max Performance, or for a more interactive learning experience, download the supplemental images and movies for comprehensive, hands-on learning.
- Sales Rank: #2459168 in eBooks
- Published on: 2012-08-21
- Released on: 2012-08-21
- Format: Kindle eBook
Amazon.com Review
A Conversation with Mark Galer, Author of Adobe Photoshop Elements 10: Unleash the Hidden Performance of Elements Mark Galer
Inspiration
The famous photographer Ansel Adams was once quoted as saying that if the negative was the music score, then his work in the darkroom was his performance. My own post-production skills were also learned in the darkroom during my own undergraduate studies and I have always considered that post-production is an essential aspect of the holistic process of creating an image. I teach my students that the camera does NOT faithfully record a scene--the camera merely interprets it. Photoshop, however, is capable of rendering an image to appear how we first saw and experienced the scene. Photoshop is capable of restoring the emotional reality as well as altering reality.
My workflow
Most of the time I have previsualized the outcome before I start editing an image, so the end point for the editing procedure is dictated by how quickly I can achieve this goal. As I know how to drive the software (I am a self-confessed control freak) this usually happens in a matter of minutes rather than hours. Occasionally I may find myself working on an image where I do not have a final outcome in mind--I can see something I like in the original but something needs to happen to elevate it to a folio image. On these occasions I will edit the colour and tonality in Adobe Camera Raw (as this editing space is built for speed). I often see students nudging sliders slowly, waiting for some magic to happen, but I would advocate big and bold sweeps with the controls so you can find the visual breaking point that each slider can inflict upon an image before winding back to the most appropriate setting. As I work with a smart object workflow (where the Raw files are embedded in layers) there is no absolute ending to the edit process. As ACR (Adobe Camera Raw) gets better and better over the coming years I will find myself re-editing a file to access superior demosaicing, sharpening or noise reduction.
My favorite subject
My personal work is now dominated by landscapes. This has not always been the case but now I find shooting landscapes at dawn gives me the most reward. I enjoy planning the best vantage point, at the best time of day and I have taken to using mobile apps such as the Photographer's Ephemeris to help me plan the perfect shoot. Prior to landscapes it was editorial stories that incorporated events or people as the main focus for the story. My final assignment at college was to document the last working coal mine in the Rhondda valley in South Wales and my most in-depth editorial story to date was to document my own 2-year "round-the-world" charity trip on a motorcycle in the late 1980s (about 20 years before Ewan McGregor's "long-way-round"). The subjects that are intriguing me most, at the current moment in time, are time-lapse, compositing video and HDR photography (High Dynamic Range). The advent of video on DSLR cameras and portable tablet devices such the iPad has shaken the industry vigorously and I always like to be engaged in change rather than stand back and watch it happen. I am also obsessed with building the best automated actions and making them available on my website.
Most powerful editing feature in Photoshop
My favorite shortcut would have to be the "Stamp Visible" shortcut (probably because Adobe has never officially documented it). For a Mac it is Command + Option + Shift + E and for a PC it is Ctrl + Alt + Shift + E. Next to this shortcut it would have to be the shortcuts for changing the blend mode of a layer. As a "know-it-all" user I don't have to cycle through the layer blend modes looking for the one that might work; I can just hit the shortcut for the blend mode that takes me straight through to the mathematical answer that resolves a visual problem or task in hand. I have found the Layer blend modes to be the most under-utilized editing feature for inexperienced users. I find them so useful I devoted a whole chapter to them in my Photoshop Essential Skills book and they are a dominant feature of the Maximum Performance projects for Photoshop Elements users. The essential blend modes are invaluable time savers.
The most powerful new features to arrive in Photoshop in recent years are Adobe Camera Raw 6 for its enhanced noise reduction, creating a post-crop vignette and sharpening controls, Merge to HDR pro (especially its de-ghosting feature) and the new Refine Edge feature in CS5 that makes hair extraction really fast. For Photoshop Elements users who do not have access to some of these features (elements) I explore alternative, and sometimes unique, workflows that allow sophisticated composites and image enhancements. I have to admit to enjoying the challenge of writing a Photoshop Elements book that aims to show users how to engage in professional quality editing with a piece of software that has a few features (elements) missing. The workflows I create circumnavigate the shortcomings of the Elements concept (budget software with a couple of editing features short of a six-pack!).
--Mark Galer
About the Author
Mark Galer is a Senior lecturer at RMIT University in the School of Media and Communication, Australia. He is also co-writer of their popular online photography courses. He has lectured in photography in the UK and Australia and has worked commercially as a freelance photographer on corporate and editorial assignments. He has written numerous top-selling photography books, including Photography Foundations for Art & Design, the Popular Photoshop Elements; Maximum Performance and Photoshop; Essential Skills series. He is an Official Adobe Ambassador for Photoshop and Photoshop Elements.Dr. Abhijit Chattaraj is a commercial photographer based in Melbourne, Australia. Abhijit began his career as a Computer Scientist and has a PhD in Bioinformatics. He is the co-founder of Wishbone Studio, a creative collective that creates bleeding edge interactive installations that combine stills with moving images and CGI to create captivating experiences for museum and corporate clients. Abhijit's work has been shown widely in exhibitions, most recently he was recognised among the top emerging photographers in Australia
Most helpful customer reviews
29 of 30 people found the following review helpful.
Fantastic Tutorial Guide
By RLC
Firstly I work with the newest version of Photoshop on a near daily basis. I only have elements so I can see the layout to help friends and family accomplish what they want with it. Having recently purchased Elements 10 for a family member and myself, I thought this book might provide a guide to new features so I could get up to speed quickly. What I found was a treasure rather than a guide!
This book has shown me the incredible advances in elements since version 6.0 and I am awestruck by the number of features that are shared between the full version of photoshop and Elements 10.
The book itself is very nice, great color, nice thick pages that don't bleed through, nice tacticle feel. It is written in tutorial format with clear and complete instructions. This is all backed up by HD Movies, all of the images used in the book, full layerd PDS files, selections already made to save you time and to see what you should be doing, actions, in short loads of great goodies.
The book is broken into 3 sections: Optomize, Enhance, and Composites. With a great selection of tutorials with not only step by step instructions on how, but the whys as well. You are shown how to use Adobe Camera Raw. Heck he even shows you a "Secret" workaround to use 16 bit images in Elements! Yep, 16 bit editing in a program that doesn't allow it!
I won't list each tutorial by name and description as one could look at the table of contents online. But I will say that they are all quite nice and you will be able to apply what you learn to your own photos and produce outstanding results!
The author states that many photograhers can get along just fine with Elements and after reading this book I would tend to agree.
I highly recommend this title I think it would be excellent for any photographer that has or is considering Elements 10 and does not have the time or resources to get into the full version of Photoshop. With that said could I stop using Photoshop and use Elements? No, but my uses are beyond just doing the things shown in the tutorials. Further, I think this title would be useful for digital scrapbookers as there are some great image enhancement and compositing tutorials. I am still saying to myself...Wow, you can do that with Elements now!
I will leave you with my thought that this book is worth a lot more than the asking price. Kudos to Mark Galer and Dr. Chattaraj.
6 of 6 people found the following review helpful.
Beautifully Illustrated "Maximum Performance" for Manual
By Twilightjoan
First of all I do not think that this is a manual for beginners -- it is for getting the best out of your Photo Elements 10 software.
This is a 346 page beautifully illustrated manual with photos and details for every step of the projects.
There is a 4 page "Getting Started" section, and 3 complete sections on how to use the software:
Contents for Part One - OPTIMIZE
Project 1 - Adobe Camera Raw
Project 2 - Basic Retouching
Project 3 - Working Spaces
Project 4 - Gradients and Vignettes
Project 5 - Curves
Project 6 - Black & White
Project 7 - Sharpening
Project 8 - Bits/Channel (multilayered 16 bit/Channel files)
Contents for Part Two - ENHANCE
Project 1 - Depth of Field
Project 2 - High Key
Project 3 - Borders
Project 4 - Tilt-Shift Effect
Project 5 - Cross Process
Project 6 - High Impact
Contents for Part Three - COMPOSITES
Project 1 - Creative Montage
Project 2 - Replacing a Sky
Project 3 - Layer Blending
Project 4 - Little Big World
Project 5 - Faux Renaissance
Project 6 - Multiplicity
Project 7 - Preserving Shadows
Project 8 - Displacement
Project 9 - Photomerge
Project 10 - Hair Transplant
Jargon Buster
Shortcuts
"Three movie tutorials featuring specific techniques from the book are available for free on the Focal Press YouTube channel and a supplemental package of images and movies can be purchased...from the author's website..."
5 of 5 people found the following review helpful.
A gift from a Master
By Terry O'Brien
If anyone rates this less than 5 stars because they didn't know what they were buying, shame on them for writing a review.
This book by Mark Galer is so good and so detailed and shows the beauty of the software so well that Mark has delivered a gift to us serious hobbyist photographers. Everything you will want to know how to do eventually is already covered.
Do you just need to make some camera adjustments such as using Adobe Lightroom would get you? Mark explained Adobe Camera Raw in a way that I realized I never really knew how to make proper adjustments. I am not sure I need Lightroom except for cataloging my photos.
Need to just bring out more detail than simple adjustments could do? Mark takes you into a beautiful chapter on polishing your photographs.
Do you have an under-exposed picture? Mark shows how to capture the detail back, but not just in the picture, in different areas of the picture, piece by piece.
Do you know what adjustment layers are? Do you know what gradient layers are? Do you know what blending modes do? You will. Each project focuses on a specialty you will eventually need.
DO you want to extract people and place them in period pieces or different settings? Do you want to bring every strand of hair with you? It is here.
Mark says Photoshop Elements 10 can deliver so much power that a full copy of Photoshop is not needed. I believe him.
Here is the real gift he gave. Maybe you are like me and just reading how to do something isn't as good as someone sitting next to you explaining it step by step. Mark does that. Each chapter has a free movie with step by step instructions. Not a 5 minute tip, a full blown 20-30 minute rendition.
Here is the caveat, you must be prepared to sit with the software and the book and movie and actually learn it by using it. You have to be serious about what you want and the level you want to go. Any success in life requires effort and dedication. To those people willing to put forth the effort, there is no better resource than this wonderful gift.
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