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Batman's immortal foe, Ra's Al Ghul, should be dead at last - so how has he returned to haunt The Dark Knight? And what does his return have to do with Batman's teenaged son, Damian -- whose mother is Ra's Al Ghul's daughter, Talia? It will take the combined skills of Batman, Robin and Nightwing to get to the bottom of these mysteries and stop Ra's Al Ghul's insidious plans!

• Sales Rank: #512575 in eBooks
• Published on: 2012-08-28
• Released on: 2012-08-28
• Format: Kindle eBook

From School Library Journal
Grade 7 Up—Buzzing with action, Resurrection will appeal to Batman's fans, but it is not a good starting point for readers unfamiliar with the series history. Ra's Al Ghul has miraculously returned from what was thought to be a fiery demise. His features badly burned, Ra's needs a completely new host body to continue his evil ways. His candidate is bratty Damian-his grandson, who happens to be the child of Batman and Talia, Ra's Al Ghul's daughter. When Damian is eventually captured by his grandfather, Batman and Ra's face off to determine the boy's fate. The artwork varies with each chapter. Violence is depicted, and images of women may strike some as objectification. The exaggerated, comic-book-style illustrations are consistently well done, although characters are rendered differently by each artist, a fact that may throw off some readers. The writing also fluctuates with each chapter, from standard heroic platitudes to tongue-in-cheek sarcasm. This is not an essential purchase, but it will be welcomed by readers with knowledge of the characters and backstory.—Travis Jonker, Dorr Elementary School, MI
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Although a relative latecomer, Ra’s al Ghul has become one of the most prominent Batman archvillains, as attested by his pivotal role in the movie Batman Begins. This multipart saga of the criminal mastermind’s return from the dead is intended as the ultimate Ra’s epic but doesn’t quite measure up because of its disjointedness. Originally spread over four different Batman-related monthly comics, the story was produced by a quintet of writers, whose round-Robin (and -Batman, and -Nightwing) approach shows. Eight primary artists of varying talent don’t help cohesiveness, either. Still, Bat-fans will find plenty to enjoy in the continent-spanning epic. --Gordon Flagg

About the Author
Writers: Peter Milligan, Grant Morrison, Fabian Nicieza, Paul Dini and Keith Champagne. Artists: Don Kramer, Jason Pearson, Tony Daniel, David Lopez, Freddie Williams II, Ryan Benjamin and others.

Most helpful customer reviews

19 of 21 people found the following review helpful.
Father-Son Relationships (spoilers)
By Jose Ibanez
While the events of this graphic novel depict the return of Ra's Al Ghul to the land of the living, I noticed that the real theme of the story was about the relationship between a son and his father. Batman and his two adopted children, Tim Drake (the 3rd Robin) and Dick Grayson (Nightwing), join forces to protect his only biological son, Damian. In the mean time, Ra's Al Ghul is again presented as the complete opposite of Bruce Wayne, as it shows glimpses of his relationship with his father and son. While some thought the action was a little sparse, to me, the relationships explored here were far more interesting.

Damian, Bruce Wayne's son and Ra's Al Ghul's grandson, plays an integral part in the plan to bring Ra's back to life. He has been raised in the lap of luxury and has known no hardship. Naturally, he's completely insufferable, and is a very easy character to hate. In what could perhaps become a redeeming quality, however, what Damian desires above all else is the approval of his father, even though Bruce could really care less, and is much more interested in ensuring Ra's remains comfortably dead.

Nightwing and Robin, Bruce's two "adopted" sons, also seek the respect of Batman, but I think deep down they know they already have it. Neither want to fail him, but also, it seems both would rather have their biological parents back if they could. By far, the best parts of this graphic novel are the scene written by Paul Dini where Ra's tempts Robin with bringing his parents back, and the resolution of that situation later on.

The second Robin, Jason Todd, is only mentioned in passing, but it should be noted that he was killed by the Joker while looking for his biological mother. I'm not sure if that fits into this theme, choosing his biological mother over Batman, as his biological parent was still alive. Batman does feel great responsibility for Jason's death, however, and we know he considers it to be his greatest failing.

Bruce's relationship with his parents is well known. His entire crusade against crime is a result of a promise he made on his parents grave, and he desperately wants his work to be something his parents would be proud of. Alfred is his surrogate father figure, and this is the relationship that is displayed as an ideal father-son relationship in this comic. Both Bruce and Alfred try hard to protect each other and not to let down the other, they care for each other and work together.

Ra's, on the other hand, has a very destructive relationship with his father (Sensei) and son (the White Ghost). He overthrew his father as leader of their clan a young man, and in the course of this story the two attempt to destroy each other completely. Meanwhile, Ra's son, The White Ghost, has been his only faithful servant for centuries, yet Ra's never calls him by his name or refers to him as his son. Ra's only seems to appreciate The White Ghost in the very moment he possesses his body. In the end, Ra's has outlived his father who he despised, and destroyed his son who loved him unconditionally.

In this regard, Talia Al Ghul really doesn't fit in. She's one of the only women in the novel and really just seems to follow Batman and run around punching and kicking ninjas. While she's attempting to protect her son, it's clear he's not interested in her protection, and doesn't seem to think she needs protection herself. She had to be in the story, as she's Ra's daughter and Damian's mother, but there doesn't seem to be much other justification for her being there.

In the end, this graphic novel succeeded in some areas more than others. Some thought there wasn't enough action, but I disagree. Just because people aren't beating each other up doesn't mean there isn't exciting stuff going on. In all, I thought the story was very good, it provided an intriguing look into some of the relationships that make Batman interesting, and it gave a believable way to bring back one of Batman's greatest villains.

7 of 7 people found the following review helpful.
Mixed bag
By N. Durham
What happens when one of Batman's most powerful enemies comes back from the dead? Nothing too good, as Batman, Robin, and Nightwing and are about to find out in The Resurrection of Ra's Al Ghul. The story picks up with Damian, the son of Bruce Wayne and Talia Al Ghul, seeking Batman for help when his grandfather returns from the grave to use him for a new body. Soon enough, Batman is on the scene, as Robin struggles with playing second fiddle to Damian, and Nightwing gets thrown into the mix as well. The Resurrection of Ra's Al Ghul is pretty much a crossover of a number of Batbooks, and feature contributions from writers including Grant Morrison, Paul Dini, Peter Milligan, Keith Champagne, and Fabian Nicieza; and artists including Tony Daniel, David Lopez, Jason Pearson, Freddie E. Williams II, Don Kramer, and Ryan Benjamin among others. The biggest problem with this hardcover collection is that a majority of the book just feels uneven and disjointed thanks to having so much talent on board throughout so many books. The brilliance of Grant Morrison's run on Batman in particular gets lost in all of this, but for the most part, The Resurrection of Ra's Al Ghul manages to be pretty entertaining regardless. Still though, it just seems that the story as a whole could have been much better too. Flaws aside though, The Resurrection of Ra's Al Ghul is a decent and entertaining Batman saga that you will get some enjoyment out of, but if you're looking for some Batman stories that really prove memorable, just stick with Grant Morrison's current run.

1 of 1 people found the following review helpful.
Pass.
By Amazon Customer
This story doesn't hold a candle to the older Demon stories. Maybe it's not supposed to: it's not about the goal of cleansing the earth, the art is disjointed, the character of Ra's seems a bit off and its focus on a relationship between Ra's and Batman is awkwardly portrayed at best.

In this story Ra's disembodied spirit is looking for a host and we get the filet of his life story as the host body is being prepared for possession. My understanding was that, if the Lazarus pool failed to resurrect the body then the character would be gone. I was hoping the redirection the story titled itself after was something less literal.

Now that Batman's got a son with Ra's Al Ghul's daughter, maybe the story is going to be about the Ascention of the kid to the role, or even more clever: his mother. Nah. This is a 'cult' story, a story of worship and ritual. This isn't a story of a rise to power and acceptance of the role (ala, I don't know, the Godfather, for example). Gramps want the body of the boy. And when that doesn't work out, we get the rise of zombie Ra's and soon another bodily possession of a character who was introduced just for that purpose and then to die. Meh.

I've always liked the relationship Ra's and Batman: his daughter loves the 'Detective' and is regularly blinded by his own love of his daughte to the point that she thwarts his plans time and again. But that's aside the point because these relationships are really unimportant in this story: just that the boy is Batman's son. And that Robin wants to resurrect his father. Geez. Not every character born of tragedy needs to be bathed in it and ignorantly obsessed...

There's no plan for world domination ... that's fine. There's no romance between Batman and Talia. Okay... There's no real character development ... Uh... The villain is a zombie. Oh.

And in the end? A toast to family and nothing's changed. It's just not what I want in a story focusing on Ra's Al Ghul, let alone a crossover 'event'.

I would save the money.

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> PDF Download Faust: Parts One and Two: Pts. 1 & 2, by Goethe, Robert David MacDonald

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The power and magic of the Faust story, the man who, in a pact with the Devil, trades his soul in return for a period of total knowledge and absolute power, is one of the most potent of all European myths. Johann Wolfgang von Goethe (1749-1832) worked on this poetic drama in burst from his twenties until the end of his life. He reshaped the perpetually fascinating legend, probing the nature and process of human striving and questioning the assumed divisions between the forces of good and evil. His Faust has become a landmark in world literature.

Robert David MacDonald's translation of Faust, used in acclaimed productions in Scotland (Glasgow Citizens) and England (Lyric Hammersmith), offers access to the play in the English language for readers and playgoers alike and opens up the extraordinary range and pace of Goethe's language, rhythms, imagery and ideas, without sacrificing any of the play's humour. The Open University has adopted the translation as a set book for the course entitled 'From Enlightenment to Romanticism'

• Sales Rank: #718041 in eBooks
• Published on: 2012-09-07
• Released on: 2012-09-07
• Format: Kindle eBook

From Publishers Weekly
This difficult work has defeated many translators, not only as a result of its sophisticated verse style and varying tone but because it has dramatic flaws that Goethe's wit and lyric powers, embedded in the original, made beside the point. Greenberg's brief introduction considers this history of translators' failures and submits that what previous attempts have lacked is a natural idiom; this translator attempts "a free-ranging diction, meters looser, often, than those Goethe uses, and a much looser rhyming made up of half rhymes, assonance, and consonance." Yet Greenberg's spirit of compromise is hard to accept, especially his slackening of meter. Rhymes, for their part, are usually much less than "half," and the mangled stresses, particularly at line breaks, are a great loss. These disappointments are compounded by how little success Greenberg makes of his vaunted natural idiom, as shown in such lines as "So let's hear the terms, what the fine print is; / Having you for a servant's a tricky business" and "Now try and tell me, you know-it-alls, / There's no such thing as miracles!" Rather than engaging a living language, he seems to look for idiom in pastiches of jargon.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
The Faust legend is better known to English-speaking readers through Marlow's tragedy than through the later drama from Goethe, Germany's greatest author. Various 20th-century translators have tried to make Goethe's most famous work palatable to contemporary English audiences. With its facing German text, Walter Kaufmann's 1961 translation is most valuable for the serious student. Here, Greenberg has come closest to a version that might encourage stage productions. It boasts outstanding poetry and the use of the American vernacular, which makes the flavor of the original accessible to non-German speaking readers. Recommended for subject collections but also for smaller libraries wanting a good translation of this classic author.
- Ingrid Schierling, Univ. of Colorado at Colorado Springs
Copyright 1992 Reed Business Information, Inc.

Review
a One of those great works of literature into which a writer has been able to combine his ranging preoccupations and understanding as he worked.a
aA. S. Byatt, from the Preface

Most helpful customer reviews

116 of 121 people found the following review helpful.
Five bright stars.
By fblaw6
"Vainly in the day time labored, pick and shovel, clink and strike." Goethe worked on Faust for much of his career, but composed some of the best of Part II in a time of life when most are in their rocking chairs or in the intensive care ward of the local nursing home. Goethe in his late seventies and early eighties would rise in the early dawn and compose some of the best poetry written. "I would elevate my mind to a kind of productivity which brought all this forth, in a full state of consciousness and which pleases me still, even though perhaps I could never swim again in such a river." It has been said that German poetry is difficult to translate or untranslatable, and this seems true with some translations of Faust, but the Norton contains a superb effort by Walter Arndt which appears always so on the mark that one suspects Arndt actually embellishes the German, but, rather than quibble over accuracy, it is all so good you will hardly care. Goethe builds upon the medieval Faust legend as a skeleton for his own writing in epic-poem style with various meter fashioned to fit the subject. Faust, weary of the ways of the world (one can almost hear the 60s hippy) embarks on a journey of self-discovery, skirt chasing and empire building finally ending in his 100th year in the ultimate trip, with a little help from his friend, Goethe. This composition is remarkable in innumerable ways. One can use a thesaurus of superlatives: wonderful imagery, perfect choice of words, peerless imagination, beautiful poetry, a unity to the whole which is memorable, as well as numerous wonderful scenes and lines, and always an intelligence that seems to absorb and understand everything. Of course, one can differ with Goethe philosophically. There are other angles from which to view life than Faust and his Mephistophelean foil. And Faust, which contains all the universal ingredients, can be faulted at times, dwelling too much on the antique philosophy, politics and literary questions which interested Goethe in his long life. But all this seems irrelevant to Faust as a work of art, permanently canonized for its beauty and writing alone, whatever disparagement or praise one might hold for its meaning or content. The Norton Edition is edited by Cyrus Hamlin whose interpretive notes are scholarly, contain a subtle respect for Goethe, and are in themselves a book worth reading. The selections of Goethe comment and scholarship range from the brilliant to the outer eliptics of literary criticism, and the included illustrations and Goethe letters on composition are a nice touch. The work of Hamlin and the Arndt translation which here frame Goethe as the main event make the Norton Critical Edition of Faust (2000) one of the better books one is likely to pick up.

60 of 63 people found the following review helpful.
The most elegant among the translations I've read
By Ram Mohan Rao
Looking at some reviews by other reviewers, I realized that not everybody has heard of Faust or of Goethe, and I was pretty shocked.
The first part of what I'm saying is about this translation. As Luke so graphically showed in his "Translator's introduction", there are many things that pull at the translator's central agenda: rhyme, metre, primary meaning, nuance, and so on, and the translator has to achieve a balance. Among the translations I've read and from snippets of what I've seen of other translations, Wayne's translation has the most smooth-flowing, elegant rhyme I've seen.
As positives for this translation: The elegance is unparallelled; the wit is sparkling; the metre is almost flawless; the deviation from Goethe is usually acceptable; and there is never, repeat, never, an obvious rhyme-holder word.
As negatives for this translation: There is in a few cases too much of deviation from the original; Wayne at times infuses his own interpretation and character into the work; and the English, though just perfect for, say, a 1950's speaker in England (and those of us used to that kind of word-flow), may be distracting for Americans in 2000.
An example of the latter: "What depth of chanting, whence the blissful tone / That lames my lifting of the fatal glass?" This is pretty representative: if "lames my lifting" does not sound pretentious or obscure, and if the elegance of it strikes you, Wayne's translation is the one for you. If on the other hand, "lames my lifting" sounds straight out of a mediaeval scroll (as I believe is the case with many Americans), then look elsewhere for a translation you will enjoy (read: Luke).
Another, more involved example is in the final lines of Faust II: Wayne translates "Das unbeschreibliche / Hier ists getan" as "Here the ineffable / Wins life through love". Now that, of course is hardly a translation; but it fits in with Wayne's scheme of things - and that IS the point; Wayne has his "scheme of things", which you may or may not like.
The second part of what I'm writing is about Faust itself, the Masterwork: as any German will tell you, Faust is one of the centrepieces of literature, and it is worthwhile learning German JUST to read Faust. Each person comes away from "Faust" having found that that he/she was looking for. Every person is reflected in Faust; "Faust" is the ultimate story of Man. What tempts us, what keeps us, what draws us on, what tears us, what defines us, what lies in store for us - it is all there. "Faust" is a journey everyone should undertake. There is nothing controversial here - no "God", no "Hellfire", nothing but Goethe's straightforward but not blunt, sensitive but not compromised, philosophical but not dreamy, analysis of the human situation. "Faust" is the Master thinker Goethe's sincere attempt at looking at it all; and it does not fall visibly short of the task.
Part I should be read by everyone; Part II is not strictly a sequel, but in many ways is, as Wayne shows in his Introduction. Part II requires some knowledge of Greek Mythology; and does in many ways "complete the story". Only, it goes way beyond that.

36 of 36 people found the following review helpful.
Genius Meets Genius
By Enrique Lerdau
Having tried my hand at translations myself, I am awestruck by the performance of Walter Arndt. Faust is rightly regarded as a climax in German letters and,together with Don Quixote,The Divine Comedy, War and Peace and King Lear,in world literature. The nobility of its language, the sharpness of its mockery, the breadth of its subject matter and the beauty of its lyricism all make it unique. And all pose seemingly insuperable problems to the translator

What should a translator do? Try to convey meaning as literally as possible? Reproduce rhyme and meter patterns as faithfully as possible? Convey the spirit of the work more than its form and letters? All of these are worthy objectives but they all are competing and, seemingly, mutually exclusive ones.

It is a measure of Mr.Arndt's artistry that these conflicts seem to dissolve in his text. From the beautiful and melancholy Dedication that precedes Part I to the mystical and esoteric completion of Part II I was unable to find a single jarring note, even though I love the German text with some fanaticism. Compare the following:

Ihr naht Euch wieder, schwankende Gestalten
Die frueh sich einst dem trueben Blick gezeigt
Wag ich es wohl Euch diesmal fest zu halten..

Once more you near me, wavering apparitions
That early showed before the turbid gaze
Will now I seek to grant you definition...

Or this:

Alles Vergaengliche
Ist nur ein Gleichniss
Das Unzulaengliche
Hier wird's Ereignisss
Das Unbeschreibliche
Hier ist es gethan
Das Ewig-Weibliche
Zieht uns hinan.

All that is changeable
Is but refraction
The unattainable
Here becomes action
Human discernment
Here is passed by
Woman Eternal
Draw us on high.

One may quarrel with the last line (I would have preferred "draws" since the chorus is not praying but praising), but what matters much more is that the sensation of "Ausklang", of a closing chord, is reproduced perfectly without doing (much) violence to the meaning.

Mr. Arndt's (or are they the Editor's?) generous explanatory footnotes are a mine of erudition and good sense. Only the quality and relevance of the Essays by various authors, appended to the work, are of variable quality.

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Taking the form of a biologist's illustrated journal found in the aftermath of the attack, this pulse-pounding, suspenseful tale of zombie apocalypse follows the narrator as he flees from city to countryside and heads north to Canada, where he hopes the undead will be slowed by the colder climate. Encountering scattered humans and scores of the infected along the way, he fills his notebook with graphic drawings of the zombies and careful observations of their behavior, along with terrifying tales of survival. This frightening new contribution to the massively popular zombie resurgence will keep fans on the edge of their seats right up to the very end.

• Sales Rank: #598021 in eBooks
• Published on: 2010-07-01
• Released on: 2010-07-01
• Format: Kindle eBook

From the Back Cover
This illustrated journal was discovered in the aftermath of the worldwide necrotic infection that began on or around January 7, 2012 and lasted for approximately one year, killing more than 5 billion people.The journal is a unique record of the time of infection in that its author sought to understand the undead by living among them. It is also the record of the author's day-to-day experiences at a time when such records were not commonly kept.The manuscript was found inside an empty cottage at the edge of Hudson Bay in northern Canada. The fate and the whereabouts of the author remain unknown.The contents of the journal are reproduced uncensored and in their entirety.

About the Author
Don Roff worked at the local drive-in theater and made Super 8 mm movies with his neighborhood friends, writing many of the scripts. He joined the United States Army in 1989, and was stationed at Fort Benning, Georgia, in the 3rd Ranger Battalion. He was a part of Operation Just Cause in Rio Hato, Panama, December 20, 1989. In June 2006 Roff received the prestigious Zola Award for screenwriting from the Pacific Northwest Writers Association for his science fiction adventure script, "Outbound".

Stephen R. Thorne is a professional actor and a member of the Trinity Repertory Acting Company in Providence, Rhode Island. He has played Hamlet, Henry V, and Tom Joad, among many other roles. Stephen has narrated over fifty audiobooks.

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8 of 9 people found the following review helpful.
Beautifully illustrated
By mellion108
Don Roff and Chris Lane have given all us zombiephiles a beautifully illustrated and chilling account of the inevitable zombie apocalypse. Dr. Richard Twombly, a hematology-oncology specialist at a Seattle blood treatment facility, uses his birding journal to write down his daily observations of a mysterious virus that at first seems to only make people violently ill. When humans begin to viciously attack and eat each other, Dr. Twombly and the few other survivors try to barricade themselves from the attackers until Twombly finds himself alone and running out of food. Luckily for us, the good doc has his ink with him, and he's able to include detailed illustrations of the decay process, methods of killing the hungry undead, other survivors, etc. He also leaves little clues about what might have caused the virus (surprise, surprise...we do it to ourselves), as well as the frightening possibility of evolution of the undead.

Given the subject matter, it might sound odd to say this is a beautiful book, but it truly is. The illustrations are so detailed, and a lot of the pages look like pieces of art. I know some have complained that there is "nothing new" here, but there actually are some unique bits added to the zombie genre. This is a good, solid story with amazing illustrations, and it's a fun read to find out what happens to dear Dr. Twombly. My only complaint is that this is an oversized paperback. If this were hardcover, it would make the perfect gift/coffee table book for a diehard zombie fanatic. I'm glad I took a chance on this one, and if Roff and Lane want to continue the saga of this apocalypse, I'll gladly line up to read it!

18 of 23 people found the following review helpful.
Perfect for Any Zombiephile
By Ursula K. Raphael
This is another twist in the zombie genre. Unlike the survivor's journal Day by Day Armageddon, this is more like a research journal complete with statistical research, illustrations, and personal experiences. In this documentated book, the survival information is more sporadic than The Zombie Survival Guide: Complete Protection from the Living Dead.

People fell ill, died, and reanimated. No scientific explanation. In some cases, infection spread without bites or any other obvious contact. Mobility/strength depends on the original physical fitness of the person and bodily damage, but variables like rigor mortis are unknown. While some of the personal accounts may remind you of other zombie-apocalypse stories (ex: pharmecutical company may have had a hand in it), there are a few sick surprises that I haven't come across in my zombie obsession.

i totally loved that it takes place in the year 2012. I really felt like I was reading someone's notebook with drawings, rather than a graphic novel. There is no lack of gore, for those of you who prefer the gut-ripping undead. Even though the book is written from the doctor's point-of-view, the other characters were believable, as far as their decisions, reactions, and so forth.

If you truly believe yourself to be a zombie fanatic (or your friends tell you to "shut up about zombies, already"), you definitely need to add this to your collection.

Other unusual zombie-literature include Zombie Haiku: Good Poetry For Your...Brains, Z.E.O.: How to Get A(Head) in Business, and Zombies for Zombies: Advice and Etiquette for the Living Dead.

2 of 2 people found the following review helpful.
Old story with a newish twist.
By R. Pickman
We seem to be obsessed with the undead these days. That being said, the same stories seem to be told over and over again. Watch ten Zombie movies and you'll be able to pick out similar themes and characters in all of them. Someone in the group of survivors under scrutiny is always hiding an infected bite. Characters are going to be killed just when you started to like them. Everything that can go wrong will go wrong. I could go on, but you get the point. ZOMBIES doesn't do a whole lot to deviate from the formula, but it excels at changing how the formula is presented.

ZOMBIES isn't your typical novel offering a narrative concerning a group of survivors and their misadventures after the Zombie apocalypse. ZOMBIES is presented as an illustrated journal (kept by a doctor) that was found in an abandoned cabin in Canada. It is not known what happened to the author and it is reproduced, unedited, just as it was found. Think of it as a relic from an alternate reality.

It is printed like handwriting complete with words scratched out. Most entries are accompanied by fantastic illustrations of things that the author has seen. The illustrations are very creepy, very well done and varied in style and color pallette. This book does an amazing job of drawing you in to every nail biting encounter and each glimmer of hope felt by the author. I honestly don't think I've been as engrossed in a Zombie book before. This book is brilliantly put together and wonderfully paced. If you're a fan of Zombies or just of the macabre in general, this is a MUST read.

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Francis Birkenshaw cares nothing for the Jacobite cause until a chance encounter with Bonnie Prince Charlie's beautiful secretary leads to dangerous consequences. A tale of adventure and betrayal on the long bloody road to Culloden Moor.

• Sales Rank: #2438938 in eBooks
• Published on: 2012-08-25
• Released on: 2012-08-25
• Format: Kindle eBook

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# Free PDF S.A.V.E. Squad Series Book 2: The Great Cat Caper (S.A.V.E Squad), by Lauraine Snelling, Kathleen Wright

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Join the S.A.V.E. Squad—Sunny, Aneta, Vee, and Esther—as the four sixth-grade girls, with nothing in common but their differences, come together through a service learning project to rescue dumpster cats.

• Sales Rank: #937061 in eBooks
• Published on: 2012-09-01
• Released on: 2012-09-01
• Format: Kindle eBook

Review
This is a great second installment to the series.  The differences of the girls make the story attractive to a wide variety of girls, including adopted, single parent, divorced family, home-schooled, and Christian.  This series is perfect for third through sixth grade girls that are not yet into the boy or vampire scene.  They will see themselves in at least one of the characters, and enjoy reading of the girl’s struggles as they attempt to accomplish their goals and deal with their family situations.  Girls will laugh aloud at on the S.A.V.E. Squad’s efforts and failures as they try to make everybody happy. (Glenajo Shambeck Eclectic Reading 2012-11-11)

This is a great book and although it is the second in this series you could read this book and enjoy it without having read the first one.  I thought the characters were enjoyable and the story moved quickly.  I thought the adventure was age appropriate and could be enjoyed by any child (Irene Grove Irene's Christian Reviews 2012-10-25)

I think this is a great example of how a middle-grade book should be written. There are several strong yet vastly different personalities to show the reader that no matter who you are it’s okay. The characters are working together for something that doesn’t benefit them in the least. Finally, it not only hits on several disappointments and changes that greet girls in that age range but also shows how friendship can help you through life. (Regina Hott HottBooks 2013-05-15)

About the Author

Lauraine Snelling is an award-winning author with over 75 published titles including two horse series for kids. With more than 3 million books in print, Lauraine still finds time to create great stories as she travels around the country to meet readers with her husband and rescued Basset Sir Winston.

Kathleen Wright was "Mrs. Write" to her Christian homeschoolers, ages 10 to 17, whom she taught for many years. When she's not dreaming up adventures for her characters, she's riding bikes with her husband, playing pickle ball, and trying to convince her rescued Border Collie that Mom knows best.

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3 of 3 people found the following review helpful.
A great second book in this series
By Irene's Book Reviews
What a fun sequel to the book S.A.V.E. Squad Book 1: Dog Daze. I enjoyed the first one and loved the second one. I hope they come out with more for this series!

This is a great book and although it is the second in this series you could read this book and enjoy it without having read the first one. I thought the characters were enjoyable and the story moved quickly. I thought the adventure was age appropriate and could be enjoyed by any child.

I gave this book 5/5 stars. The story flowed well and was amusing. The children were respectful and their conversations were enchanting. I liked how the book teaches Christian principles without being overly critical and in your face with what a Christian should do. I think this would be a great book for a child in the 7-10 age group who is looking for a fun fiction book to enjoy!

I would like to thank NetGalley and the publisher for the copy of this book I enjoyed reading. I gave an honest review based on my opinion of what I read.

0 of 0 people found the following review helpful.
A Great Middle Grade Reader!
By Kindle Customer
Hott Synopsis:
When the S.A.V.E. Squad, including Sunny, Aneta, Vee, and Esther, accidentally find out that the cats living at the dumpsters near their meeting place are going to be `removed' they know they just need to do something.
Can they put aside their differences and disappointments, once again, to save the little darlings?

Hott Review:
These middle-grade books are a bit difficult for me to review. I know it's because the girls reading them are so vastly different. Their personalities go from 6 to 36 in a matter of seconds, so the books written for them need to fit all of their changings.
That being said, I think this is a great example of how a middle-grade book should be written. There are several strong yet vastly different personalities to show the reader that no matter who you are it's okay. The characters are working together for something that doesn't benefit them in the least. Finally, it not only hits on several disappointments and changes that greet girls in that age range but also shows how friendship can help you through life.

More...
Author: Lauraine Snelling and Kathleen Wright
Source: Barbour Publishing, Inc. via Netgalley
Grade: B+
Ages: 9-12
Series: S.A.V.E. Squad Series Book 2

2 of 2 people found the following review helpful.
Great second addition to series for elementary girls
By Glenajo
The S.A.V.E. Squad is at it again. This time focusing on Vee as the squad begins a new school year with each member in a different school. Even so, they are determined to stay close friends and accept their quirks and differences. After Vee discovers that she may not be able to stay at the accelerated school, she stumbles onto a group of feral cats that the S.A.V.E. squad decides to save. The girls grow and learn together, while they have lots of fun.

This is a great second installment to the series. The differences of the girls make the story attractive to a wide variety of girls, including adopted, single parent, divorced family, home-schooled, and Christian. This series is perfect for third through sixth grade girls that are not yet into the boy or vampire scene. They will see themselves in at least one of the characters, and enjoy reading of the girl's struggles as they attempt to accomplish their goals and deal with their family situations. Girls will laugh aloud at on the S.A.V.E. Squad's efforts and failures as they try to make everybody happy.

Received from NetGalley.com.

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Ein geheimnisvolles Amulett zeigt ihr den Weg zurück ins Leben – und zu einer grenzenlosen Liebe


Magische Kräfte verbinden die drei Freundinnen Evie, Sarah und Helen. Gemeinsam haben sie gegen die dunkle Schwesternschaft gekämpft, die im Schutz der einsam gelegenen Internatsschule Wyldcliffe Abbey dunkle Mächte heraufbeschwor. Nun scheinen sie gesiegt zu haben. Evie und Sarah sind sorglos und glücklich verliebt. Doch obwohl auch Helen eine große Liebe prophezeit wurde, fühlt sie sich einsam und verloren – und sie ahnt, dass die Gefahr noch nicht vorüber ist. Denn böse Vorzeichen künden von einem letzten Kampf gegen die dunklen Mächte. Und von einem unermesslich hohen Preis für den Sieg ...

• Published on: 2012-12-17
• Released on: 2012-12-17
• Format: Kindle eBook

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^ Download PDF The War Behind Me: Vietnam Veterans Confront the Truth about U.S. War Crimes, by Deborah Nelson

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In 2005, Deborah Nelson joined forces with military historian Nick Turse to investigate an extraordinary archive: the largest compilation of records on Vietnam-era war crimes ever to surface. The declassified Army papers were erroneously released and have since been pulled from public circulation. Few civilians have seen the documents.

The files contain reports of more than 300 confirmed atrocities, and 500 other cases the Army either couldn’t prove or didn’t investigate. The archive has letters of complaint to generals and congressmen, as well as reports of Army interviews with hundreds of men who served. Far from being limited to a few bad actors or rogue units, atrocities occurred in every Army division that saw combat in Vietnam. Torture of detainees was routine; so was the random killing of farmers in fields and women and children in villages. Punishment for these acts was either nonexistent or absurdly light. In most cases, no one was prosecuted at all.

In The War Behind Me Deborah Nelson goes beyond the documents and talks with many of those who were involved, both accusers and accused, to uncover their stories and learn how they deal with one of the most awful secrets of the Vietnam War.

• Sales Rank: #1318480 in eBooks
• Published on: 2008-10-28
• Released on: 2008-10-28
• Format: Kindle eBook

Review
Library Journal
“Alarming stories and important lessons for a country ‘hell-bound to repeat’ the same mistakes.”

Lt. General (USA, Ret.) Robert G. Gard, Jr.
“In her well-written and carefully documented report, Deborah Nelson highlights our shocking failure to deal with, and learn lessons from, our extensive commission of war crimes during the Vietnam War. A must read for all who are concerned with restoring the moral credibility of our country.”

Brig. General (USA, Ret.) John H. Johns
“Deborah Nelson has done a superb job in summarizing the problem of atrocities in counterinsurgency operations and has performed a patriotic service by bringing this problem to the attention of the public. Perhaps the most important lesson here is that we should not allow our leaders to commit our military forces to such wars unless it is essential to our vital national interests.”

Stanley Karnow, author of Vietnam: A History
“Young Americans went to Vietnam imbued with a high moral purpose. But the war dehumanized many, as Deborah Nelson vividly illustrates in a book that evokes a shameful chapter in our history.”

Dana Priest, The Washington Post
“Nelson takes readers along with her on an unusually intimate journalistic journey to uncover what the government had hoped to keep secret—war crimes too cold-blooded and routine to fathom. As her riveting book reminds us, war is hell—for everyone involved. A must read for soldiers, scholars, journalists and any one else interested in both courage and cover-up during wartime.”

Seymour Hersh, author of Chain of Command: The Road from 9/11 to Abu Ghraib
“The War Behind Me establishes, sadly, the terrible fear that emerged from the horrors of My Lai—that its easy cover up suggested that deliberate killing of civilians was widespread in heavily contested areas of south Vietnam. Yes, this book says, it did happen, and yes, as at My Lai, many of those GIs who did the killing were as much victims as those they fired upon.”
 

Seattle Times
“Remarkable… Nelson is one of the most experienced, talented investigative journalists alive.”
 

New York Times Book Review
“Nelson, who wrote a series on war crimes with a military historian when she was at The Los Angeles Times, is a diligent, passionate reporter… An important book”
 

Boston Globe
"In the best tradition of investigative journalism"
 

History News Network
“‘The War Behind Me’…serves to vindicate once and for all the veterans who courageously spoke out against the injustice of the war and antiwar activists of the era who broadcast the wide scope of atrocities in an appeal to public conscious… Nelson deserves great credit for her legwork, not only in going through the army criminal files but also in interviewing participants and survivors of the atrocities. She provides definitive evidence to counteract the claim of mythologists that the Vietnam War was fought humanely or for a just cause.”

Philadelphia Inquirer
“A former newspaper reporter, Nelson is one of the most experienced, talented investigative journalists alive.… Nelson's book is not exactly patterned after All The President's Men. To some extent, however, the admirable effect is the same… The stonewalling by some veterans and the confessionals by others make for fascinating reading.”

Review
Library Journal
“Alarming stories and important lessons for a country ‘hell-bound to repeat’ the same mistakes.”

Lt. General (USA, Ret.) Robert G. Gard, Jr.
“In her well-written and carefully documented report, Deborah Nelson highlights our shocking failure to deal with, and learn lessons from, our extensive commission of war crimes during the Vietnam War. A must read for all who are concerned with restoring the moral credibility of our country.”

Brig. General (USA, Ret.) John H. Johns
“Deborah Nelson has done a superb job in summarizing the problem of atrocities in counterinsurgency operations and has performed a patriotic service by bringing this problem to the attention of the public. Perhaps the most important lesson here is that we should not allow our leaders to commit our military forces to such wars unless it is essential to our vital national interests.”

Stanley Karnow, author of Vietnam: A History
“Young Americans went to Vietnam imbued with a high moral purpose. But the war dehumanized many, as Deborah Nelson vividly illustrates in a book that evokes a shameful chapter in our history.”

Dana Priest, The Washington Post
“Nelson takes readers along with her on an unusually intimate journalistic journey to uncover what the government had hoped to keep secret—war crimes too cold-blooded and routine to fathom. As her riveting book reminds us, war is hell—for everyone involved. A must read for soldiers, scholars, journalists and any one else interested in both courage and cover-up during wartime.”

Seymour Hersh, author of Chain of Command: The Road from 9/11 to Abu Ghraib
“The War Behind Me establishes, sadly, the terrible fear that emerged from the horrors of My Lai—that its easy cover up suggested that deliberate killing of civilians was widespread in heavily contested areas of south Vietnam. Yes, this book says, it did happen, and yes, as at My Lai, many of those GIs who did the killing were as much victims as those they fired upon.”
 

Seattle Times
“Remarkable… Nelson is one of the most experienced, talented investigative journalists alive.”
 

New York Times Book Review
“Nelson, who wrote a series on war crimes with a military historian when she was at The Los Angeles Times, is a diligent, passionate reporter… An important book”
 

Boston Globe
"In the best tradition of investigative journalism"
 

History News Network
“‘The War Behind Me’…serves to vindicate once and for all the veterans who courageously spoke out against the injustice of the war and antiwar activists of the era who broadcast the wide scope of atrocities in an appeal to public conscious… Nelson deserves great credit for her legwork, not only in going through the army criminal files but also in interviewing participants and survivors of the atrocities. She provides definitive evidence to counteract the claim of mythologists that the Vietnam War was fought humanely or for a just cause.”

Philadelphia Inquirer
“A former newspaper reporter, Nelson is one of the most experienced, talented investigative journalists alive.… Nelson's book is not exactly patterned after All The President's Men. To some extent, however, the admirable effect is the same… The stonewalling by some veterans and the confessionals by others make for fascinating reading.”

About the Author
Deborah Nelson is a Pulitzer Prize– winning journalist currently at the University of Maryland College of Journalism as the Carnegie Visiting Professor. A former president of Investigative Reporters and Editors, she serves on the board of the Fund for Investigative Journalism and as president of the Dart Center for Journalism and Trauma. She lives in Takoma Park, Maryland.

Most helpful customer reviews

8 of 9 people found the following review helpful.
excellent research, well balanced
By semper fidelis
Deborah Nelson's book is an expert piece of journalism that, as you can see by some of the bad reviews, is part of a war that is still being fought in some people's minds. U.S. war crimes happened in Vietnam; several of my friends who came back told me all about them while the war was still going on, with plenty of snapshots to prove it. The book also chronicles how the military bureaucrats were able to suppress the testimony of the soldiers who courageously stood up against war crimes, and how those few who were convicted got off with a slap on the wrist, like the soldier who raped a 13 year girl and served a year. He served in prison longer than anyone else from the entire conflict. The U.S. was bound to international treaties about the conduct of war which they systematically and systemically ignored. The subtext on this whole sorry saga was that it bubbled up again when John Kerry was "swift-boated" because he spoke the truth about the war crimes and atrocities of the type detailed in this book. He lost the election against George Bush because of American denial. How did that work out? To qualify as a democracy, citizens in the U.S. need to be truthful about the past.

12 of 18 people found the following review helpful.
decent read
By C
This book was a decent read--troubling subject matter, but worthwhile. The book references a variety of archived material and includes anecdotes collected from Vietnamese people. It's a reminder of the ugliness and blurred morality of war and how easily these facts can be obscured when they are counterproductive to an agenda.

As for the notion that most Winter Soldier testimony was phony, this is unfortunately misinformation, as can be plainly seen in public congressional record. It's unfortunate that people can post thinly veiled propaganda in a review and with no references to boot. For shame...

16 of 25 people found the following review helpful.
Don't Believe the Nonsense
By The Quain
This is an excellent, long overdue investigative report. The notion that we should not analyze American atrocities in Vietnam because that somehow neglects, refutes or challenges the notion of real heroism among our troops is complete nonsense. It is faulty logic. The story of heroism in Vietnam is another story.

The impact of this story, on how a few misguided, confused and freighted young men misinterpreted or failed to challenge orders, how some criminals took it upon themselves to violate the US Armed Forces laws of acceptable conduct, and how the result of these failures was the murder of innocent men, women and children is dramatic.

This is especially true now when we have sent more young men and women into an unnecessary war, armed to the teeth and with unclear orders as to who the enemy is and who they are to shoot. And it is significant because it demonstrates clearly the Vietnam Veterans Against the War and the Winter Soldiers were in fact telling the truth. Thankfully Nelson offers this vindication while many of these heroes are still alive. Frankly, it takes far more courage to challenge your own government and its values than it does to go to war.

In war, you have the support of your government, your leaders and your fellow soldiers. You are forced to do your duty (or you are jailed or sent home). When you stand up to your government's policies and actions, you do so alone and you do so unarmed for the challenge. Nelson salutes those with enough courage and honor to demand the US maintain its position as the force of right in the world. Treason occurs when the misguided fail to realize the importance of holding those who violate the laws of this country responsible for their own selfish reasons. Clearly, the people in the system failed in regards to upholding the rule of law. Nelson demonstrates clearly the failure to do so still impacts our politics, our military and ultimately our way of life.

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! Free PDF Dog Eats Dog, by Iain Levison

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Dog Eats Dog, by Iain Levison

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Praise for Iain Levison:

"The real deal . . . bracing, hilarious and dead on."--The New York Times Book Review

"Witty, deft, well-conceived writing that combines sharp satire with real suspense."--Kirkus Reviews

"Levison writes tight, punchy prose, with deadpan humor and savvy."--The Wall Street Journal

Philip Dixon is down on his luck. An escape from a lucrative but botched bank robbery lands him bleeding and on the verge of collapse in a college town in New Hampshire. How can he find a place to hide out in this innocent setting? Peering into the window of the nearest house, he sees a glimmer of hope: a man in his mid-thirties, obviously some kind of academic, is rolling around on the living room floor with an attractive high-school student. Professor Elias White is then blackmailed into harboring a dangerous fugitive, as Dixon--with a cool quarter-million in his bag and dreams of Canada in his head--gets ready for the last phase of his escape.

But the last phase is always the hardest. Attractive and persistent FBI agent Denise Lupo is on his trail. As for Elias White, his surprising transition from respected academic to willing accomplice poses a ruthless threat that Dixon would be foolish to underestimate.

"...Funny and acerbic, and crackles with raw energy."--The Sunday Times (UK)

Iain Levison was born in Aberdeen, Scotland, in 1963. Since moving to the United States, he has worked as a fisherman, carpenter, and cook, and he has detailed his woes of wage slavery in A Working Stiff’s Manifesto. He lives in Raleigh, North Carolina.

• Sales Rank: #1728613 in eBooks
• Published on: 2012-08-31
• Released on: 2012-08-31
• Format: Kindle eBook

From Publishers Weekly
When wounded bank robber Phil Dixon flees a botched holdup in New Jersey at the start of this entertaining crime novel from Levison (Working Stiff's Manifesto), he winds up at the Tiburn, N.H., home of Elias White, a history professor whose academic aspirations far outmatch his abilities. Dixon intimidates White into sheltering him until he's ready to escape to Canada, where he plans to start a new life as a farmer. White, meanwhile, sees opportunities to further his career in the situation. Later, FBI agent Denise Lupo, eager for an excuse to leave her dead-end New York City job for a couple of days, follows a slim clue that points to Dixon's presence in New Hampshire. The prison-schooled Dixon, the pretentious White and Lupo with her shattered idealism give the author ample scope to nail a lot of targets. Not only does Levison score high on the satirical scale, he manages some ingenious plot shifts that should provoke both appreciative smiles and laughter. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Dixon is a bright, thoughtful recidivist who ruminates on the karmic impact of pointing his gun at people. He escapes a disastrously failed bank robbery in New Jersey with $250,000 in cash and a bullet wound, and he winds up near collapse outside the small-town New Hampshire home of history professor Elias White. More huckster than scholar or teacher, White is canoodling with a naked teenager when Dixon looks in the window. As soon as White is alone, Dixon enters and begins to turn his hostage into his accomplice. FBI Agent Denise Lupo, her hopes of becoming a profiler crushed in the male-dominated agency, learns that one of the stolen bills has surfaced in New Hampshire, and she sets off to find the robber. Levison’s first novel, following the nonfiction success of A Working Stiff’s Manifesto (2002), is a delightfully amiable and cynical tale. It’s filled with droll humor, finely wrought characters, a brisk pace, and sharp dialogue. --Thomas Gaughan

Review
PRAISE FOR IAIN LEVISON, author of A Working Stiff's Manifesto and Since the Layoffs"The real deal ... bracing, hilarious and dead on." New York Times Book Review"Witty, deft, well-conceived writing that combines sharp satire with real suspense." Kirkus Reviews"There is naked, pitiless power in his work" USA Today"Levison writes tight, punchy prose, with deadpan humor and savvy." Wall Street Journal

Most helpful customer reviews

1 of 1 people found the following review helpful.
Neglected Masterpiece
By Joseph Hirsch
Iain Levison started his career as a sharp-eyed critic who documented the unfairness of the life alloted to America's working class stiffs. In "Dog Eats Dog" he still retains his sharp eye for social commentary, but he has matured as a writer, certainly having grown by leaps and bounds stylistically in the intervening years between "Since the Layoffs" and this book.

This novel centers around basically four characters, an ex-con on the run from the law after a botched bank robbery, a slightly smarmy college professor who has some idiosyncratic ideas about the Third Reich, the college professor's Lolita-esque neighbor, and a field agent sent to find the man who robbed the bank and is now on the run. The book works well as a straightforward tale, with believable characters and dialogue that rings true to the ear. But what really sets the book apart is its seamless subtext about how class works in America, how dishonest intellectuals can be (even the well-meaning ones), and how, in real life, injustice not only goes unpunished, but is sometimes rewarded.

For those familiar Levison from his earlier polemics, I can only urge you to put aside what you think you know about the man and his work. Take my word for it: this book, as well as his novel "How to Rob an Armored Car", are minor masterpieces of the crime genre, and they are also astute takes on America, containing the kind of insight that only a foreigner can bring to our particular (and flawed) democracy.

4 of 4 people found the following review helpful.
A satirical look at modern society
By Avid Reader
Phil Dixon, on the run after his latest bank robbery, desperately needs a place to stay. When he spots young college professor Elias White naked with his clearly underage neighbor, Dixon knows he's in, and he really, really wants to be in. He's determined to get out of his criminal lifestyle with this money, but he has to recover from his gun wound first. What Dixon doesn't expect is just how well that lifestyle will click with Elias, and this unexpected encounter leads to some unlikely consequences for both parties, especially when FBI Agent Denise Lupo comes to town, hunting Dixon down.

I didn't expect that this book would be hilarious, but it often is. It adds in little touches of sarcasm on nearly every page, sardonic commentary on the way we live. This is at its heart a critical look at our world - everyone is out for themselves, and the best men (or women) win no matter what it takes. I was expecting a mystery, but I got so much more out of this. It's a great story with a message. I enjoyed it throughout and the plot consistently surprised me as I found I was misled and turned just slightly off track so that Levinson could really deliver his message. In Levinson's world, you just have to be clever and wily to get by - not smart or hard-working. It's a depressing theory, but he delivers it in such a way that you don't mind. You're too busy having fun, and only when the book ends do you ponder this deeper message. Or so it went for me.

This is a really entertaining book with a more fundamental level of meaning. I read it in a day. I'd recommend it to anyone seeking a quick, satirical read.

3 of 3 people found the following review helpful.
Everyone has problems
By Fred Camfield
Elias White is in a dead end teaching job at a small New England college. Philip Turner Dixon had his escape from a bank robbery go bad when he is wounded, and he needs a place to hide. FBI agent Denise Lupo is in a dead end job tracing money from bank robberies, and looking for a way out. And then there are some supporting characters like Elias' student Jenny Hingston - not to bright but there are other ways to get an A, and the college nurse who is willing to turn a blind eye for enough cash - after all, money talks.

All of this comes together when Dixon, looking for a place to hide out, happens to look through White's window and spots him en flagrant delecto with the neighbor's teenage daughter. Dixon wants to blackmail White for a place to stay. Dixon needs some medical attention (enter the nurse). Some stolen money gets spent, and that brings FBI agent Lupo to town. Events have everyone doing things that they should not be doing. For some people, things work out well in the end.

This is a delightful story about people looking for ways to have things work out to their advantage. There are always winners and losers.

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