Free PDF Miss Julie (Modern Plays), by August Strindberg
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Miss Julie (Modern Plays), by August Strindberg
Free PDF Miss Julie (Modern Plays), by August Strindberg
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Written in a fortnight and often regarded as Strindberg's masterpiece, Miss Julie is shocking in subject-matter, revolutionary in technique, and was fiercely attacked on publication for immorality.Sweden, 1894. Midsummer night's celebrations are in full swing but the Count's daughter, the beautiful and imperious Miss Julie, feels trapped and alone. Downstairs in the servants' kitchen, handsome and rebellious footman Jean is feeling restless. When they meet a passion is ignited that soon spirals out of control. Strindberg's masterpiece caused a scandal when first produced - and has been hugely popular ever since - for its viscerally honest portrait of the class system and human sexuality.The conflict between sexual passion and social position is presented in Miss Julie with startling modernity. The play's premiere at Strindberg's experimental theatre in Denmark in 1889 was banned by the censor and its first public production three years later in Berlin aroused such protests that it was withdrawn after one performance. Miss Julie has since become one of Strindberg's most popular and frequently performed plays.This new version by highly-acclaimed playwright and translator David Eldridge is contemporary but faithful, and combines accessibility with fluency.
- Sales Rank: #1948048 in eBooks
- Published on: 2012-04-11
- Released on: 2012-04-11
- Format: Kindle eBook
About the Author
August Strindberg (18491912) was born in Stockholm and began writing plays in 1869. His first major play was Master Olof, written in 1872 but not performed for nine years. His other plays include The Father (1887), Miss Julie (1888), Creditors (1888), To Damascus, Parts I and II (1898), A Dream Play (1901) and The Ghost Sonata (1907). David Eldridge was born in Romford, Greater London. His fulllength plays include Under the Blue Sky (Royal Court Theatre, 2000, awarded Best New Play in the West End in 2001); Festen (Almeida and Lyric Theatre, 2004); M.A.D. (Bush Theatre, 2004); Incomplete and Random Acts of Kindness (Royal Court Theatre, 2005); a new version of Ibsen's The Wild Duck (Donmar Warehouse, 2005); Market Boy (National Theatre, 2006); a new version of Ibsen's John Gabriel Borkman (Donmar Warehouse, 2007); a new version of Ibsen's The Lady from the Sea (Royal Exchange Theatre, 2010); The Knot of the Heart (Almeida, 2011) and In Basildon (Royal Court, 2012).
Most helpful customer reviews
13 of 16 people found the following review helpful.
comment to a previous reviewer
By A Customer
A previous reviewer (annalait@apia.vlk.fi) commented that Miss Julie is a true story about Strindberg, his 16 yr. old lover and his wife Harriet. This is not entirely correct. It is based on one of his marriages - to his first wife Siri von Essen. He married Siri in 1877. Miss Julie was written in 1888 and was first put on stage in 1889 with Siri acting out the role of Julie. He divorced Siri in 1891 and did not meet Harriet (who was actually his third wife) until 1900. They married in 1901. Strindberg identifies with Jean in the play. Strindberg felt inferior to Siri (a Baroness). Jean was also inferior to Julie but he triumphed over her in the end.
0 of 0 people found the following review helpful.
Classic, but not my play of choice
By Alexandra Levitas
Strindberg's "Miss Julie" is definitely on the list of classic plays that any theater lover should read.
Written at the end of the XIX century it's both revolutionary in staging techniques and representative of the class struggles of the period. But it's probably not THE play you want to read if you're new to reading drama. Terribly misogynistic and not particularly current in the emotional themes "Miss Julie" feels like more of a play designed for the study of the history of drama, then for downtime enjoyment.
8 of 10 people found the following review helpful.
Miss Julie
By Andrew D. Eisenstein
Definitely one of the better plays I have read in my survey of late 19th century European drama. While there are slight flaws in it, such as frequent mood swings by the characters, the overall writing is fabulous. Jean is a perfectly portrayed Machiavelli, doing what is necessary for him to succeed at whatever costs. Julie, on the other hand, wavers between the strong and self-confident seductress of the beginning, to the weak and manipulated wronged woman at the end. Definitely a cornerstone in the history of modern drama.
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