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Long a treasure in Norway, the folktales collected by Peter Christen Asbjørnsen and Jørgen Moe have been acclaimed for their richness of humor, fullness of life, and depth of understanding since they first appeared in translation more than a hundred years ago. The Norwegian folktales, said Jacob Grimm, “surpass nearly all others.”
Within these captivating tales we meet witches, trolls, and ogres; sly foxes and great, mysterious bears; beautiful princesses and country-lads-turned-heroes. Collected here in a sparkling contemporary translation by Pat Shaw Iversen and Carl Norman, these tales brim with the matchless vitality and power of their original telling. Included also are the wonderfully evocative original illustrations of Erik Werenskiold and Theodor Kittelsen.
With black-and-white drawings throughout
Part of the Pantheon Fairy Tale and Folklore Library
From the Trade Paperback edition.
- Sales Rank: #148555 in eBooks
- Published on: 2012-10-03
- Released on: 2012-10-03
- Format: Kindle eBook
Language Notes
Text: English, Norwegian (translation)
From the Inside Flap
Collected here in a contemporary translation. With these tales we meet witches, trolls and ogres, sly foxes and mysterious bears, beautiful princesses and country lads turned heroes. Includes illustrations.
About the Author
Boyhood friends Peter Christen Asbjørnsen and Jørgen Moe discovered an interest in folktales in common, and were inspired by the German Grimm brothers to collect and publish their favorite homeland tales. The first volume of collected Norwegian Folktales was published in 1845, and became exceedingly popular. Asbjørnsen was born in 1812 in Christiana (Oslo) and became a teacher. Moe was born on a farm in Ringerike, and continued his family trade.
Most helpful customer reviews
54 of 55 people found the following review helpful.
Marvelous stories for children and adults
By J. G. Heiser
My 9-year old was enthralled with the stories in this book, begging for more every night until we finished it. I disagree with his Freudian interpretation, but Bruno Bettelheim is right that folktales touch something wired within us, fulfilling an innate need children have to comprehend the adult world.
Although not as well-known as the German Grimm's collection in the United States, this book is widely revered in Norway. Both are teutonic cultures, but these stories are different in character and feel from the Grimm Brother stories. While they contain elements common to all european fables, this book is filled with trolls, and the reformation seems like a recent event. Norsk tales have a unique and compelling charm.
My favorite fable is in this collection--the one about the mill that explains why the sea is salty. Read it yourself--I don't want to spoil the ending.
From a purist point of view, drawings detract from stories such as these, but two of Norway's most most well-known illustrators are represented, and the artwork is compelling.
This paperback is a reprint of the original English-language translation from 40 years ago. I have that original text packed away somewhere lost, so it was a real treat to be able to buy a new copy to share with my son.
41 of 41 people found the following review helpful.
One for the Desert Island Library
By Extollager
I'm a middle-aged English professor, but I love this book now, as I did when I was a kid. If I had to whittle my personal library down from its present size (maybe 3000?) to a hundred books, I'm sure I'd still keep this one. I read these stories now to my children and remember how I loved the stories when I was their age. When I'm a senior, I'll remember how I shared this book with my kids, as well.
37 of 38 people found the following review helpful.
Norway's Greatest Treasure...
By Gio
...alongside the fjords, is its literary tradition, beginning with the Viking romances and sagas, at full flood in the works of Ibsen, but flowing like an underground river through its grotesque folk tales - eventyr - as collected by Peter Christen Asbjørnsen and the Møes father and son. Asbjørnsen began collecting tales in 1834, in isolated rural areas of Norway, a country whose geography has guaranteed isolation through most of history. The publication of the Grimm Brothers' collection of folk tales sparked further enthusiasm amongst Norwegians, but the 'eventyr' are different in many ways from the traditions rescued by the Grimms, and radically different from the literary fairy tales that soon infiltrated Europe and consigned folk tales in general to the realm of children's literature.
Readers familiar with the Icelandic sagas will find many similarities in these hard-minded and hard-handed stories of peasant kings, eerie maidens, and of course trolls, with their peculiar shrewd stupidity. The pleasure of hearing/reading most of the eventyr is in the sardonic humor, the joy of seeing the come-uppance of the rich and powerful. It's interesting to note that stories collected from men are chiefly rough and humorous, and naturalistic, while those collected from women, as translator Pat Shaw reports, "kept to deep, mystic, or eerie themes."
The original illustrations by Erik Werenskiold and Theodor Kittelsen are reproduced in this collection. Black-and-white pen sketches and etchings, they match the eventyr in wry humor and spooky trollishness. I remember them well from my own childhood, when my grandmothers held me on their laps and read to me in Swedish. These are indeed wonderful, memorable stories to read to children, but they shouldn't be limited to laps, not even the laps of Lapps. Adults will enjoy them equally. Most of them are quite short, especially compared with the wordy Grimm tales, and can be relished a few at a time.
I've reviewed three Norwegian items in the past week - music by Harald Saeverud and novels by Borgen and Christensen. You may wonder why a good Swedish fellow like me would be reviewing works by Norskis. Well now, I'm just trying to show that I'm comfortable with diversity.
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